Enameling 264E: Fall 2017
This course introduces students to enameling as a means of embellishing small works in metal (e.g. jewelry). Students will explore a variety of traditional methods for fusing glass powders to copper and fine silver including sifting, painting, cloisonné, champlevé, and, piqué-a-jour. Assignments will direct students toward developing a personal aesthetic vision while emphasizing the effective application of color theory and formal design principles. Students will maintain a journal/sketchbook and conduct research to enhance their learning. Students should be willing to commit a minimum of 8 hours per week to out-of-class work in this studio. Critiques will provide a means for sharing ideas, challenging assumptions, and assessing “quality” in the work being undertaken. A basic knowledge of jewelry fabrication methods and a willingness to work patiently, precisely, and responsibly are prerequisites for this course.

Our first assignment involved the sifting glass technique on a piece of copper and had to be incorporated into a container. Enamel on copper, nickel silver 3"x3"

Plique a jour in progress. Sterling silver 16 gauge square wire used to create cells for glass to fill. 4"x3"

Final Plique a jour piece, sterling silver square wire and enameling. Yellow brass stand.

Christmas ornament, 1 of 2 in the set, double sided, created for my mother and mother's best friend's 50th birthdays. Enamel on copper, yellow brass, 5"x1"

Christmas ornament, 1 of 2 in the set, double sided, created for my mother and mother's best friend's 50th birthdays. Enamel on copper, nickel silver, 5"x 1.5"

work in progress

Cloisonné work in progress

Work in progress

Enamel on copper, pierced and patina copper, masonite.
Enameled wall piece was SELECTED FOR CONCERNING CUBISM EXHIBITION

My New Channel

Inspired by Les Disques by Fernand Leger.
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